Wet in wet is the queen of watercolor techniques - Here is an example a flower arrangement. |
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The trick to getting this effect is in the paint selection. We select paints for their sedimentary properties. By this we mean the properties of the pigment particles. Some are very light. The light ones do not settle easily and so "migrate" from where they are put and give us the soft, diffuse look. The heavy ones tend to clump, or settle, or both. This "aggregation" of the heavy particles sink into the papers valleys. Every color acts a little differently so the effect is continually changing thereabout the painting. You cannot ask for a lovelier technique.
You might also want to see three of my beginner materials lessons, paint, paper, stretching paper, to better understand what I am doing in this lesson and why.
The colors in this demonstration are the yellow - purple complementary color scheme, with yellow predominating. There are green notes added in a few places. The composition is entirely curvilinear. The negative space is subordinated (smaller) to the positive (larger).
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This is a map of the captains colorpalette. See materials list below.
Info
Burnt Sienna
Info Yellow Ochre
Info Viridian
Info Cerulean Blue
Info Phthalo Blue
Info Ultramarine Blue
Info Pyrrol Red
Info Alizarin Crimson ( Quinacridone )
Info Arylide Yellow FGL
Info Arylide Yellow Deep
Info 140 Lb. Cold Pressed
Info Red Sable
PAINTS ........( sedimentary ) 0 - Red 1 - Yellow 2 - Green 3 - Blue .......( non sedimentary ) 4 - Cool Blue 5 - Warm Blue 6 - Warm Red 7 - Cool Red 8 - Warm Yellow 9 - Cool Yellow
For an explanation of the properties of the paints, ( Like warm and cool ) see the lesson on paints in the materials section. |
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