Watercolor Painting Sunrise / Sunset Skies (Dawn / Dusk Skies). Part 1 The Sky.

This is a lesson on how to watercolor paint water and islands. It's a long lesson so its broken into three segments. The first segment is painted wet in wet, and when we are finished painting it the whole thing is soaking in wet paint. First we paint the bands of sky. A blue band top and bottom and a reddish orange band across the middle. We wait just a little while, until the shine disappears, and then paint in the islands. Fist the distant island using very little paint and hardly any water. Then we paint the darkness of the nearby water. It's dark because we are looking down at it and thus into it. Further away, our vision angle is very small, and at small angles water become opaque and mirror like. The distant ripples will go in later.

Now we start in the foreground islands. They are pretty easy, but you have to use a lot of paint. While the paper is wet, its a good time to blend the foreground islands into the water. The beaches are never really distinct anyway, but more importantly, the out of focus, "soft edges" in the foreground shadows lead the eye to the "hard edges" at the "center of interest".

The eye will always go to the edge of maximum contrast. Here its the line of vegetation which stretches, left to right, completely across the painting. Notice that line divides the painting into unequal parts. That the sky area is bigger than the land area. In a very advanced lesson on composition I will show you why that is so very important, but its why you are so attracted to this image.

Finally, as our eyes flow over this line, we discover the subject of this painting. The lighthouse is off in the distance, and you will usually only discover it after looking around. Notice how the lighthouse is way out from the center of the painting. That too is so important.

The final phase of the painting is "lifting out the lighthouse". We will do that by wetting the area it occupies, and simply picking up the paint with a little fresh water. In order to do this, the rest of the paper must be dead dry.

Fast ( Cable ) Medium ( DSL ) Slow ( Dialup) Get The Drawing Template How To Use A Template 1/4 Sheet Drawing Template 1/16 Sheet Drawing Template	This is a map of the captains color palette. See materials list below. Info Burnt Sienna Info Yellow Ochre Info Viridian Info Cerulean Blue Info Phthalo Blue Info Ultramarine Blue Info Pyrrol Red Info Alizarin Crimson ( Quinacridone ) Info Arylide Yellow FGL Info Arylide Yellow Deep Info 140 Lb. Cold Pressed Info Red Sable PAINTS ........( sedimentary ) 0 - Red 1 - Yellow 2 - Green 3 - Blue .......( non sedimentary ) 4 - Cool Blue 5 - Warm Blue 6 - Warm Red 7 - Cool Red 8 - Warm Yellow 9 - Cool Yellow PAPER BRUSHES For an explanation of the properties of the paints, ( Like warm and cool ) see the lesson on paints in the materials section.
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Watercolor Painting Sunrise / Sunset Skies (Dawn / Dusk Skies). Part 1 The Sky.

Watercolor Home About Captain Watercolor About the Captain Whats Up With The Superhero Cap And The Environment Features Bid On A Captain Painting Critiques Get A Critique List Of Critiques Jennifer Branch Ken Hosmer Catherine Stock Coming Soon Not So Soon Not Soon At All Eventually Questions And Answers Other Sites ......Submit URL ......Link to us ......Resourse Directory ......Artists ......Galleries ......Education ......Miscellaneous How You Can Help Please Sign The Guest Book Site Map Contact the Captain Notify Me About New Lessons Add This Page To: Digg Google Spurl Blink Furl Simpy MyWeb Del.icio.us	Sky - sunrise / sunset PART 2 The Land and Sea Sky - sunrise / sunset PART 3 The lighthouse This is a lesson on how to watercolor paint water and islands. It's a long lesson so its broken into three segments. The first segment is painted wet in wet, and when we are finished painting it the whole thing is soaking in wet paint. First we paint the bands of sky. A blue band top and bottom and a reddish orange band across the middle. We wait just a little while, until the shine disappears, and then paint in the islands. Fist the distant island using very little paint and hardly any water. Then we paint the darkness of the nearby water. It's dark because we are looking down at it and thus into it. Further away, our vision angle is very small, and at small angles water become opaque and mirror like. The distant ripples will go in later. Now we start in the foreground islands. They are pretty easy, but you have to use a lot of paint. While the paper is wet, its a good time to blend the foreground islands into the water. The beaches are never really distinct anyway, but more importantly, the out of focus, "soft edges" in the foreground shadows lead the eye to the "hard edges" at the "center of interest". The eye will always go to the edge of maximum contrast. Here its the line of vegetation which stretches, left to right, completely across the painting. Notice that line divides the painting into unequal parts. That the sky area is bigger than the land area. In a very advanced lesson on composition I will show you why that is so very important, but its why you are so attracted to this image. Finally, as our eyes flow over this line, we discover the subject of this painting. The lighthouse is off in the distance, and you will usually only discover it after looking around. Notice how the lighthouse is way out from the center of the painting. That too is so important. The final phase of the painting is "lifting out the lighthouse". We will do that by wetting the area it occupies, and simply picking up the paint with a little fresh water. In order to do this, the rest of the paper must be dead dry.