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Preparing or "stretching" watercolor paper for wet in wet painting.
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The biggest reason people run into problems painting wet into wet, is that the paper dries too fast. It will always dry fast if it is not properly wetted.
When paper gets wet it swells a surprisingly large amount. That's why when you paint on dry paper it buckles. That is the wet part gets bigger, while the paper around it stays small, so the wet paper has no place to go except up and down.
Wet paper also sticks to the surface below it, and that's nice not having your painting moving around while you work.
Some people tape the paper to the surface below. If you do it carefully, you can have a nice white "frame" around the paper. It give the matted work a snappy appearance, like an extra mat might. I used to do it that way,. Never anymore. Since the paper is restrained by the tape, it buckles like mad, and makes painting very difficult. |
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This is a map of the captains colorpalette. See materials list below.
Info
Burnt Sienna
Info Yellow Ochre
Info Viridian
Info Cerulean Blue
Info Phthalo Blue
Info Ultramarine Blue
Info Pyrrol Red
Info Alizarin Crimson ( Quinacridone )
Info Arylide Yellow FGL
Info Arylide Yellow Deep
Info 140 Lb. Cold Pressed
Info Red Sable
PAINTS ........( sedimentary ) 0 - Red 1 - Yellow 2 - Green 3 - Blue .......( non sedimentary ) 4 - Cool Blue 5 - Warm Blue 6 - Warm Red 7 - Cool Red 8 - Warm Yellow 9 - Cool Yellow
For an explanation of the properties of the paints, ( Like warm and cool ) see the lesson on paints in the materials section. |
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