Watercolor Lesson - Monoprinting - Texturing With Plastic Wrap. |
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The outcome of monoprinting is controlled by the interaction of the paper and the printer. The finished product is predictable as to overall effect. On a smaller scale it is virtually unpredictable.
When you drop a crumpled sheet of plastic wrap onto your wet painting two wonderful things happen:
The flat areas of the plastic are granulated like mad. The wrinkles leave all sorts of special effects.
This is something you want to try. You should try it several different ways with different colors.
A start, is a partially painted picture, which you then overpaint to create something unusual. I treat monoprints as starts. So do many other watercolor artists. |
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This is a map of the captains colorpalette. See materials list below.
Info
Burnt Sienna
Info Yellow Ochre
Info Viridian
Info Cerulean Blue
Info Phthalo Blue
Info Ultramarine Blue
Info Pyrrol Red
Info Alizarin Crimson ( Quinacridone )
Info Arylide Yellow FGL
Info Arylide Yellow Deep
Info 140 Lb. Cold Pressed
Info Red Sable
PAINTS ........( sedimentary ) 0 - Red 1 - Yellow 2 - Green 3 - Blue .......( non sedimentary ) 4 - Cool Blue 5 - Warm Blue 6 - Warm Red 7 - Cool Red 8 - Warm Yellow 9 - Cool Yellow
For an explanation of the properties of the paints, ( Like warm and cool ) see the lesson on paints in the materials section. |
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