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Shadows In Landscape Painting. A Watercolor Demonstration.
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watercolor painting demonstrating the importance of shadows in the landscapeWhatever your medium, oil paints, (oils). acrylic, pastel, and especially watercolor, if you are a landscape painter. this lesson is for you.

This lesson is about using shadows effectively in landscape painting.

The subject of this watercolor is a barn and silo, and not much else. The barn is white, Pennsylvania Dutch style white, so that we may better see the pure color effects without the confusion added by extraneous hues. As always we will mix some of our colors on the paper, and some on the palette.

In this art lesson we cover:

 

In this art lesson I try to show you how much we think we know, and that much of our knowledge is false. The implications here are huge, ranging from jury selection to believing our own eyes.

The lesson runs; 34 Minutes, the first ten minutes is on theory, and the rest we will spend watercolor painting . We will use just a few different paint colors, 140 pound cold presses watercolor paper and one inch and half inch flat watercolor brushes.

If you are not fascinated by this lessons, contact me for a full refund.
If you are fascinated by this lesson, write and let me know what you got from it.


MATERIALS LIST

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A Color For Information
Sedimentary Warm        

Burnt Sienna

A sedimentary color; sediments quickly offering a mottled or shimmery look to the final (wash)

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Viridian

A sedimentary color; sediments quickly offering a mottled or shimmery look to the final (wash)

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Pthalocyanine Blue

A "warm" (greenish) blue.

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

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Pyrrol Red

A "warm" (orangish) red.

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

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Arylide Yellow FGL

A "warm" (orangish) yellow.

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

There is not an industry standard name for this color. I am offering DaVincis Brand name.

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Yellow Ocher

A sedimentary color.

sediments quickly offering a mottled or shimmery look to the final (wash)

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Cerulean Blue

A sedimentary color.

Sediments quickly offering a mottled or shimmery look to the final (wash)

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Ultramarine Blue

A cool (purplish) blue.

A non sedimentary color settles out smoothly, theoretically yielding a uniform final (wash).

Actually Ultramarine Blue "flocculates" (gathers in clumps) so we only get a fairly smooth (wash)

Sadly, it's the only purplish blue thats light-fast and available to artists.

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Alizarin Crimson
( Quinacridone )

A cool (purplish) red.

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

n fact, Alizarine Crimson (a very early man made pigment) lost favor when it was found non light-fast.

Today we replace it it with a better version of the same color called Quinacdridone Red.

Nevertheless, manufacturers still call it Alizerine Crimson.

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Arylide Yellow Deep

A cool (greenish) yellow

A non sedimentary color settles out smoothly yielding a uniform finish (wash)

There is not an industry standard name for this color. I am offering the DaVincis Brand name.

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Cool        
Brushes

Brushes

I use mostly "Kolinsky" (Highest quality) red sable brushes. I also have some nylon brushes that are pretty amazing. They are on the high priced side of nylon brush prices.

Brushes do the actual painting. If the brush cannot do it ; neither can you. If you are a beginner, you should watch my videos All About Brushes.
and
Watercolor Brushes – What to look for when buying them.

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Papers

watercolor Paper

I use 140 pound cold pressed paper.

I buy "full sheets". Everyone will know that means 22" x 30". They are actually a little oversized which is true for all "mold made" papers.

Heavier thicknesses than 140 pound are nice but more expensive. "Rough" as opposed to cold pressed is also nice.

"Arches" brand; actual spelled D'Arches by the manufacturer.

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Palettes

Palettes

PALETTE Has Two Meanings

1) The selection of paints available to the artist.

2) The surface upon which the paints are stored and mixed.

In this case, the paint holder is a cut down ice cube tray. It stores, along with a wet sponge, in a zip lock bag. That keeps the paint fresh.

For a mixing surface I use a flat sheet of white plastic.

Another good one is clear plastic with white paper under it. A matte surface is preferable to a shiny one.

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A wet in wet watercolor painting of a glass vase filled with flowers.
A Wet In Wet Watercolor Painting Lesson. - Flowers.
Captain Watercolor Demonstrates How To Create Depth In A Painting.How To Create Depth In A Painting. Captain Watercolor demonstrates how to paint a basket. A lesson in lifting watercolor paintPainting A Basket - A Lesson Lifting Watercolor Paint - Part 1. Captain Watercolor demonstrates how to paint objects and their shadowsFilling The Basket - A Lesson In Painting Objects And Shadowst- Part 2. Captain Watercolor demonstrates a monoprint. Adding texture using plastic wrap.Watercolor Lesson - Monoprinting - Texturing With Plastic Wrap.
Captain Watercolor demonstrates why shadows are so important in a painting.Landscape Shadows. A Demonstration How to mix all the colors from just six.Color For Beginners - How to mix all the colors. Example of complementary colors - How to plan the colors of a painting or anything else.Color schemes - How to plan the colors of a painting. Picture show contrast between warm and cool images.How to paint emotions using warm and cool colors. Captain Watercolor discusses abstract art.Abstract Art - A discussion.
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